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| Plot Summary of The Wind in the Willows |
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"Kenneth Grahame, Secretary to the Bank of England in the 1890's, wrote two successful books about childhood ('Golden Age' and 'Dream Days') which were aimed firmly at adults. Then came 'Wind in the Willows', which caused a good deal of consternation as its dressed-up talking animals could be enjoyed on the child's level, but decidedly more so on an adult-and-child's level. How to comprehend this chimerical beast, destined as it was to become the true classic of the three books?
Fortunately, the book had two powerful advocates which ensured its success. In the USA President Theodore Roosevelt wrote from the White House to Kenneth Grahame to say how greatly his whole family enjoyed it, and in Britain A.A. Milne made a very popular play out of it called 'Toad of Toad Hall'. And indeed Mole, Rat, Badger, Toad, and Otter can be enjoyed simply for their distinctive characters and their adventures, major and minor, by the riverbank. Personally I must admit that I had to make a certain effort to suspend my disbelief (as to a lesser extent for 'Animal Farm') and allow myself to enjoy the humourous characterisations and banter - there is no Narnian or Middlearth magic to get you 'over the hump'. However, there is a great deal to enjoy at this child's level once you get into it.
Then there are the elements for more adult entertainment. Mr. Grahame clearly had a high old time writing this book; when Toad is arrested he indulges himself in a page of Shakespeare: 'Then the brutal minions of the law fell upon the hapless Toad...past men-at-arms in casquet and corselet of steel...past ancient warders, their halberds leant against the wall...till they reached the door of the grimmest dungeon...'. Then there is the gentle parody on the positivistic scientific method when Rat and Mole have to find Badger's front door in the snow by logical deduction; the Otter (that gay blade) describing how even rabbits can be made to talk sense if you just give them a bit of a slapping; the awe of the numinous on the river island when they have a vision of the good god Pan looking after the lost child otter; the wily sea-faring Rat mesmerising our River-Rat into going to sea with him; and finally the grand battle to recapture Toad Hall from those villains the (....) - but it would be unfair to reveal that plot element and ruin some of the suspense. To be read more than once."
Michael JR Jose, Resident Scholar
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| Review Analysis of The Wind in the Willows |
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Our unique search engine provides a wealth of detail about books by breaking them down into many different literary elements, all of which are searchable (click here).
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Ratings are on a 1-10 scale (Low to High)
Plot
Tone of book
- very upbeat
FANTASY or SCIENCE FICTION?
- part earth & part fantasy world
Explore/1st contact/ enviro story
Yes
Plotlets:
- exploring a wondrous planet or phenomena
- surviving natural elements on planet
Spying & Investigations
Yes
What is main char. doing?
- rescue mission/escape from confinement
Is this an adult or child's book?
- Kid's book (ages 7-14)
Main Character
Identity:
- animal
Profession/status:
- wealthy
Age:
- 20's-30's
Has magical/special powers?
Yes
Magical/mental powers of main character:
- can talk to animals
Eccentric:
Yes
- eccentric
- obsessed
Is this an ordinary person caught up in events?
Yes
How sensitive is this character?
- sensitive to others' feelings
Sense of humor
- Strong but gentle sense of humor
Intelligence
- Average intelligence
Physique
- average physique
Main Adversary
Identity:
- animal
Age:
- 20's-30's
Profession/status:
- thief/con artist
Has magical powers?
Yes
Magical/mental powers of main antagonist:
- can talk to animals
- is very quick
How much of work is main antagonist actually present in:
- a moderate amount
How sensitive is this character?
- mean, arrogant
Sense of humor
- Cynical sense of humor
Intelligence
- Smarter than most other characters
Physique
- average physique
Setting
Terrain
- Water
- Forests
- Domed/Underground City
Earth setting:
- 19th century
Takes place on Earth?
Yes
Style
Person?
- rotating 1st
Accounts of torture and death?
- no torture/death
How much dialogue?
- roughly even amounts of descript and dialog
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Note: the views expressed here are only those of the reviewer(s). | |
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